Tuesday, June 15, 2010
JADWAL PIALA DUNIA 2010 | WORD CUP AFRIKA
Bagi Anda pengila bola, fans bola atau hobby sepak bola, ini dia saatnya espresikan kesukaan anda, selamat menonton club jagoan anda..!! tapi jangan pernah kecewa jika club jagoan anda kalah..!!
Pada babak penyisihan grup ini sesuai Jadwal Piala Dunia 2010 semua tim akan bermain sebanyak tiga kali dan ternyata waktu atau jam pertandingan kebanyakan di malam hari dan dini hari untuk wilayah Indonesia tidak usah cemas. Untuk penayangan di Indonesia sendiri tidak perlu khawatir karena dua stasiun swasta kita RCTI dan Global TV sudah menjadi saluran resmi Piala Dunia 2010. Berikut jadwal lengkap pertandingan Piala Dunia 2010. Selamat menonton club jagoan anda..!!
Jadwal Sepak Bola Piala Dunia 2010 | Word Cup Afrika :
11/06/2010 21.00 WIB » Afrika Selatan vs Meksiko
12/06/2010 01.30 WIB » Uruguay VS Perancis
17/06/2010 01.30 WIB » Afrika Selatan VS Uruguay
18/06/2010 01.30 WIB » Perancis VS Meksiko
22/06/2010 21.00 WIB » Meksiko VS Uruguay
22/06/2010 21.00 WIB » Perancis VS Afrika Selatan
Group B
12/06/2010 18.30 WIB » Korea Selatan VS Yunani
12/06/2010 21.00 WIB » Argentina VS Nigeria
17/06/2010 18.30 WIB » Argentina VS Korea Selatan
17/06/2010 21.00 WIB » Yunani VS Nigeria
23/06/2010 01.30 WIB » Nigeria VS Korea Selatan
23/06/2010 01.30 WIB » Yunani VS Argentina
Group C
13/06/2010 01.30 WIB » Inggris VS Amerika Serikat
13/06/2010 18.30 WIB » Aljazair VS Slovenia
18/06/2010 21.00 WIB » Amerika Serikat VS Slovenia
19/06/2010 01.30 WIB » Inggris VS Aljazair
23/06/2010 21.00 WIB » Slovenia VS Inggris
23/06/2010 21.00 WIB » Amerika Serikat VS Aljazair
Group D
13/06/2010 21.00 WIB » Serbia VS Ghana
14/06/2010 01.30 WIB » Jerman VS Australia
18/06/2010 18.30 WIB » Jerman VS Serbia
19/06/2010 21.00 WIB » Ghana VS Australia
24/06/2010 01.30 WIB » Ghana VS Jerman
24/06/2010 01.30 WIB » Australia VS Serbia
Group E
14/06/2010 18.30 WIB » Belanda VS Denmark
14/06/2010 21.00 WIB » Jepang VS Kamerun
19/06/2010 18.30 WIB » Belanda VS Jepang
20/06/2010 01.30 WIB » Kamerun VS Denmark
25/06/2010 01.30 WIB » Denmark VS Jepang
25/06/2010 01.30 WIB » Kamerun VS Belanda
Group F
15/06/2010 01.30 WIB » Italia VS Paraguay
15/06/2010 18.30 WIB » Selandia Baru VS Slowakia
20/06/2010 18.30 WIB » Slowakia VS Paraguay
20/06/2010 21.00 WIB » Italia VS Selandia Baru
24/06/2010 21.00 WIB » Slowakia VS Italia
24/06/2010 21.00 WIB » Paraguay VS Selandia Baru
Group G
15/06/2010 21.00 WIB » Pantai Gading VS Portugal
16/06/2010 01.30 WIB » Brazil VS Korea Utara
21/06/2010 01.30 WIB » Brazil VS Pantai Gading
21/06/2010 18.30 WIB » Portugal VS Korea Utara
25/06/2010 21.00 WIB » Portugal VS Brazil
25/06/2010 21.00 WIB » Korea UtaraVSPantai Gading
Group H
16/06/2010 18.30 WIB » Honduras VS Chile
16/06/2010 21.00 WIB » Spanyol VS Swiss
21/06/2010 21.00 WIB » Chile VS wiss
22/06/2010 01.30 WIB » Spanyol VS Honduras
26/06/2010 01.30 WIB » Chile VS Spanyol
26/06/2010 01.30 WIB » Swiss VS Honduras
16 BESAR
26/06/2010 21.00 WIB I » A1 VS B2
27/06/2010 01.30 WIB J » C1 VS D2
27/06/2010 21.00 WIB K » D1 VS C2
28/06/2010 01.30 WIB L » B1 VS A2
28/06/2010 21.00 WIB M » E1 VS F2
29/07/2010 01.30 WIB N » G1 VS H2
29/07/2010 21.00 WIB O » F1 VS E2
30/07/2010 01.30 WIB P » H1 VS G2
8 BESAR
02/07/2010 21.00 WIB Q » Pemenang M VS Pemenang N
03/07/2010 01.30 WIB R » Pemenang I VS Pemenang J
03/07/2010 21.00 WIB S » Pemenang K VS Pemenang L
04/07/2010 01.30 WIB T » Pemenang O VS Pemenang P
SEMIFINAL
07/07/2010 01.30 WIB U » Pemenang R VS Pemenang T
08/07/2010 01.30 WIB V » Pemenang Q VS Pemenang S
JUARA 3 & 4
11/07/2010 01.30 WIB » Kalah U VS Kalah V
FINAL
12/07/2010 01.30 WIB » Menang U VS Menang V
Saturday, June 12, 2010
The Pineapple Thief: Breaking Up Is Hard To Do
Music Review: The Pineapple Thief - Someone Here Is Missing
They say that breaking up is hard to do. But sometimes, it also makes for some really great music.
In the case of British prog-rock upstarts The Pineapple Thief, the title of their new album gives much of what it's about away before a single note is even heard.
Someone Here Is Missing is, according to The Pineapple Thief's chief songwriter/guitarist/vocalist Bruce Soord, "a record of dark edges full of love and regret...my life in the last eighteen months, pretty much."
So yeah, move over Alanis, this appears to be Soord's breakup album. Hey, us guys can cry too, right?
That being said, Someone Here Is Missing also represents The Pineapple Thief's most fully realized work to date. The songs on this album are more tightly constructed and exquisitely recorded than anything the band has done up until this point, while at the same time sacrificing none of their prog-rock cred. You'll find no post-Gabriel Genesis sort of selling out here.
But what you will find is plenty of Bruce Soord pouring his heart all over his sleeve, and pretty much everything else in sight here.
With song titles like "Show A Little Love," "The State We're In," and of course the title track, it doesn't take a genius to see what inspired the songs on this album. The good news is that in between all of the lyrical heartbreak here, the band rises to the occasion like stallions and flexes their considerable musical muscle throughout.
The production on this album is also absolutely fabulous — often recalling the sort of channel separation that once made you want to lie in a closed-off room smack dab in the middle of a pair of Speakerlab towers back in the halcyon days of vinyl albums. In other words, do not download this album — at least not in poor sounding MP3 formats. This is music that is meant to be played on a proper stereo system, and quite loudly at that.
Musically, the album moves rather effortlessly from the lilting melodies of its most obvious breakup song "Barely Breathing" ("I never said enough to make it up to you") to the full-tilt metallic guitars of tracks like the title song and "Preparation for Meltdown" pretty much on a dime.
On the latter, lyrics like "they're burrowing within, and throttling my soul" are belied by haunting acoustic guitars before giving way to a full-on metallic assault reminiscent of some of Steven Wilson's (an obvious influence) heavier work with Porcupine Tree.
But bassist Jon Sykes is the guy who most earns his change here. On tracks like "3000 Days," the way that Sykes' bass lines dance around the metallic guitars and swelling keyboards recalls Chris Squire's most memorable work with Yes.
On "Show A Little Love," Sykes' bass throbs away in metronomic time, much like the broken heart Soord sings about in lines like "it's easy to see the walls are closing in for you and me," as metallic guitars and discordant synths hammer the point that much further home.
With Someone Here Is Missing, the Pineapple Thief continue to prove their mettle as one of the more promising new bands on the prog-rock scene, while growing by leaps and bounds as songwriters and studio technicians. Hopefully, enough folks will take notice of this album to mend poor old Bruce Soord's broken heart.
Music Review: The Pineapple Thief - Someone Here Is Missing
They say that breaking up is hard to do. But sometimes, it also makes for some really great music.
In the case of British prog-rock upstarts The Pineapple Thief, the title of their new album gives much of what it's about away before a single note is even heard.
Someone Here Is Missing is, according to The Pineapple Thief's chief songwriter/guitarist/vocalist Bruce Soord, "a record of dark edges full of love and regret...my life in the last eighteen months, pretty much."
So yeah, move over Alanis, this appears to be Soord's breakup album. Hey, us guys can cry too, right?
That being said, Someone Here Is Missing also represents The Pineapple Thief's most fully realized work to date. The songs on this album are more tightly constructed and exquisitely recorded than anything the band has done up until this point, while at the same time sacrificing none of their prog-rock cred. You'll find no post-Gabriel Genesis sort of selling out here.
But what you will find is plenty of Bruce Soord pouring his heart all over his sleeve, and pretty much everything else in sight here.
With song titles like "Show A Little Love," "The State We're In," and of course the title track, it doesn't take a genius to see what inspired the songs on this album. The good news is that in between all of the lyrical heartbreak here, the band rises to the occasion like stallions and flexes their considerable musical muscle throughout.
The production on this album is also absolutely fabulous — often recalling the sort of channel separation that once made you want to lie in a closed-off room smack dab in the middle of a pair of Speakerlab towers back in the halcyon days of vinyl albums. In other words, do not download this album — at least not in poor sounding MP3 formats. This is music that is meant to be played on a proper stereo system, and quite loudly at that.
Musically, the album moves rather effortlessly from the lilting melodies of its most obvious breakup song "Barely Breathing" ("I never said enough to make it up to you") to the full-tilt metallic guitars of tracks like the title song and "Preparation for Meltdown" pretty much on a dime.
On the latter, lyrics like "they're burrowing within, and throttling my soul" are belied by haunting acoustic guitars before giving way to a full-on metallic assault reminiscent of some of Steven Wilson's (an obvious influence) heavier work with Porcupine Tree.
But bassist Jon Sykes is the guy who most earns his change here. On tracks like "3000 Days," the way that Sykes' bass lines dance around the metallic guitars and swelling keyboards recalls Chris Squire's most memorable work with Yes.
On "Show A Little Love," Sykes' bass throbs away in metronomic time, much like the broken heart Soord sings about in lines like "it's easy to see the walls are closing in for you and me," as metallic guitars and discordant synths hammer the point that much further home.
With Someone Here Is Missing, the Pineapple Thief continue to prove their mettle as one of the more promising new bands on the prog-rock scene, while growing by leaps and bounds as songwriters and studio technicians. Hopefully, enough folks will take notice of this album to mend poor old Bruce Soord's broken heart.
Friday, June 11, 2010
Bert Jansch: An Unknown Legend Comes To Seattle
Concert Review: Bert Jansch and Pegi Young At The Triple Door, Seattle, WA, 6/10/10
Sixty-six year old Scottish folk singer/songwriter/guitarist Bert Jansch (it's pronounced "Yanch") is a living legend who has had a profound and lasting influence on rock musicians ranging from Neil Young, Jimmy Page and Johnny Marr, to Pete Doherty and Devendra Banhart.
Yet, he is all but unknown in America outside of a small, but quite rabid group of devotees. However, that may be changing.
Jansch, a guitarist who Neil Young once called "as great as Jimi (Hendrix) was," has been opening the shows on Young's current Twisted Road tour. And despite the reputation of some of Neil's more boisterous fans for drunkenly yelling out things like "Rawk N' F**in' Roll" during the quieter moments of his shows, audiences at the shows have not only been uncharacteristically respectful of Jansch — quite a few of them also seem to be actually getting it.
Judging by Jansch's solo acoustic performance this past Thursday night at Seattle's Triple Door, it's not hard to see why. As a guitarist, Jansch is absolutely spellbinding to watch — a fact which became even more apparent in witnessing him work his magic in the small, intimate confines of Seattle's Triple Door.
Best known in the States as a founding member of sixties/seventies British folkie cult faves The Pentangle, Jansch's music is a product of that same indigenous scene which spawned the much better known Fairport Convention and its offshoots Sandy Denny and especially the great Richard Thompson.
But at the risk of offending Thompson fanatics everywhere, Jansch's guitar work is simply in a class all its own.
Watching Jansch's amazing guitar skills up close and personal at the Triple Door on Thursday night was almost like seeing two virtuoso guitarists doing their thing at once.
In a lot of ways, it reminded me of the first few times I saw Jeff Beck play live. In the same way I once was hypnotized by all those crazy things Beck does with a whammy bar and a Strat, the combination of Jansch's full-throttle hand strumming and intricate five fingered style of picking was something I simply couldn't take my eyes off of.
As a vocalist, Jansch sings in a gruff sounding, heavily accented deeply voiced sort of timbre. On Thursday night, the songs themselves veered from the ultra-traditional British and Scottish folk of "Rosemary Lane" and "The Old Triangle" (from his current album, The Black Swan — which the normally stingy Mojo Magazine recently afforded a rare five star rating), to darker, bluesier-based fare like "Duck In The Diamond" (a song Jansch said he wrote after spending a few nights out with notorious lunatic Pete Doherty).
Opening up for Jansch was Pegi Young, who was backed by a great six-piece band, including such notable players as bassist Rick Rosas, keyboardist Spooner Oldham, and multi-instrumentalist Ben Keith — all of whom are veteran sidemen in bands fronted by Pegi's famous husband, Neil Young.
Having seen Pegi open for Neil Young in much larger venues, I was particularly struck by how much better she comes across in an intimate space like the Triple Door. Her vocals were not only much stronger than I remember from the arena shows with Neil I've seen, but her stage presence also came across as much warmer — although she needs to work more on letting the audience know the names of the songs being played, especially when they are newer ones.
Concentrating on new songs like "Blue Sunday" and the title track of an upcoming album called Foul Deeds, Pegi also performed songs from her debut album, including the Spooner Oldham penned "I'm Not Through Loving You Yet."
While the band all sounded great playing Pegi's mostly twangy, folk and country-rock influenced songs, the always great Ben Keith was a particular standout on pedal steel and dobro. Guitarist Anthony Crawford also had some fine moments though, and Phil Jones more than passed the Old Grey Whistle Test on drums.
Both Pegi Young and Bert Jansch will resume opening the remaining shows on Neil Young's Twisted Road road tour next month — including a return date in Seattle — following a round of headlining club dates on the west coast.
If you make it out to any of these shows, be sure to get there early. Because whether he's headlining in a club or opening for Neil Young in an arena, Bert Jansch is not to be missed.
This review was first published as Concert Review: Bert Jansch and Pegi Young At The Triple Door, Seattle, WA, 6/20/10 at Blogcritics Magazine.
Concert Review: Bert Jansch and Pegi Young At The Triple Door, Seattle, WA, 6/10/10
Sixty-six year old Scottish folk singer/songwriter/guitarist Bert Jansch (it's pronounced "Yanch") is a living legend who has had a profound and lasting influence on rock musicians ranging from Neil Young, Jimmy Page and Johnny Marr, to Pete Doherty and Devendra Banhart.
Yet, he is all but unknown in America outside of a small, but quite rabid group of devotees. However, that may be changing.
Jansch, a guitarist who Neil Young once called "as great as Jimi (Hendrix) was," has been opening the shows on Young's current Twisted Road tour. And despite the reputation of some of Neil's more boisterous fans for drunkenly yelling out things like "Rawk N' F**in' Roll" during the quieter moments of his shows, audiences at the shows have not only been uncharacteristically respectful of Jansch — quite a few of them also seem to be actually getting it.
Judging by Jansch's solo acoustic performance this past Thursday night at Seattle's Triple Door, it's not hard to see why. As a guitarist, Jansch is absolutely spellbinding to watch — a fact which became even more apparent in witnessing him work his magic in the small, intimate confines of Seattle's Triple Door.
Best known in the States as a founding member of sixties/seventies British folkie cult faves The Pentangle, Jansch's music is a product of that same indigenous scene which spawned the much better known Fairport Convention and its offshoots Sandy Denny and especially the great Richard Thompson.
But at the risk of offending Thompson fanatics everywhere, Jansch's guitar work is simply in a class all its own.
Watching Jansch's amazing guitar skills up close and personal at the Triple Door on Thursday night was almost like seeing two virtuoso guitarists doing their thing at once.
In a lot of ways, it reminded me of the first few times I saw Jeff Beck play live. In the same way I once was hypnotized by all those crazy things Beck does with a whammy bar and a Strat, the combination of Jansch's full-throttle hand strumming and intricate five fingered style of picking was something I simply couldn't take my eyes off of.
As a vocalist, Jansch sings in a gruff sounding, heavily accented deeply voiced sort of timbre. On Thursday night, the songs themselves veered from the ultra-traditional British and Scottish folk of "Rosemary Lane" and "The Old Triangle" (from his current album, The Black Swan — which the normally stingy Mojo Magazine recently afforded a rare five star rating), to darker, bluesier-based fare like "Duck In The Diamond" (a song Jansch said he wrote after spending a few nights out with notorious lunatic Pete Doherty).
Opening up for Jansch was Pegi Young, who was backed by a great six-piece band, including such notable players as bassist Rick Rosas, keyboardist Spooner Oldham, and multi-instrumentalist Ben Keith — all of whom are veteran sidemen in bands fronted by Pegi's famous husband, Neil Young.
Having seen Pegi open for Neil Young in much larger venues, I was particularly struck by how much better she comes across in an intimate space like the Triple Door. Her vocals were not only much stronger than I remember from the arena shows with Neil I've seen, but her stage presence also came across as much warmer — although she needs to work more on letting the audience know the names of the songs being played, especially when they are newer ones.
Concentrating on new songs like "Blue Sunday" and the title track of an upcoming album called Foul Deeds, Pegi also performed songs from her debut album, including the Spooner Oldham penned "I'm Not Through Loving You Yet."
While the band all sounded great playing Pegi's mostly twangy, folk and country-rock influenced songs, the always great Ben Keith was a particular standout on pedal steel and dobro. Guitarist Anthony Crawford also had some fine moments though, and Phil Jones more than passed the Old Grey Whistle Test on drums.
Both Pegi Young and Bert Jansch will resume opening the remaining shows on Neil Young's Twisted Road road tour next month — including a return date in Seattle — following a round of headlining club dates on the west coast.
If you make it out to any of these shows, be sure to get there early. Because whether he's headlining in a club or opening for Neil Young in an arena, Bert Jansch is not to be missed.
This review was first published as Concert Review: Bert Jansch and Pegi Young At The Triple Door, Seattle, WA, 6/20/10 at Blogcritics Magazine.
Thursday, June 10, 2010
Film 'Heading To The Ground' | Drama Korea Terbaru
Trailer Film 'Heading To The Ground' :
Film Heading To The Ground adalah fil drama korea yang terbaru pada tahun ini dari episode 1 - 16, film yang dibintagi oleh U-know yunho, Go ara, lee sang yoog, dan lee yoon ji.
Film Drama korea Heading to the Ground atau dikenal jg dgn judul No Limit menceritakan tentang kehidupan seorang pemain sepak bola, yaitu tentang kehidupan karir, keluarga dan cintanya. Cha Bong Gun adalah pemain sepak bola itu. Cha Bong Gun adalah lelaki yang kuat dan baik hati, tetapi temperamen. Sejak ayahnya meninggal, Cha Bong Gun tinggal bersama dengan Byul Ji dan ibu Byul Ji. Cha Bong Gun sudah menganggap mereka sebagai keluarganya, begitu juga sebaliknya, dan Cha Bong Gun lah tulang punggung dari keluarga tersebut.
Cha Bong Gun lah yang membiayai pengobatan Byul Ji, karena Byul Ji mempunyai penyakit yang cukup serius. Makanya Byul Ji sangat bangga punya kakak seperti Cha Bong Gun. Tetapi sikapnya yang mudah emosi membuat dia sering mendapatkan masalah, namun banyak juga orang yang menyukai Cha Bong Gun termasuk sahabat kecilnya Yeon Yi, karena Cha Bong Gun suka membantunya.
.jpg)
Subscribe to:
Posts (Atom)